Sunday, February 03, 2013

NEW Writings and Writings on me...plus pics from METZ

J.K. Dick at CPMetz, Photo by Dylan Harris
There is nothing like dealing with the February blues by promoting oneself--right? But even nicer is to find that outside my exctement about new poems forthcoming in COLOR TREASURY 3 edited and created by Sarah Lariviere and due out in March/April 2013, prose poems from the collaboration with Amanda Deutch in the next issue of The Denver Quarterly as well as a short flash fiction piece in PURE SLUSH's Vol 6 (paper issue) OBIT forthcoming poste haste as well, a really really lovely "Best of" blogging moment for 2012 included a great reading review from the LONDON Dusie event with the author of this DISINHIBITOR blog, SARAH ROSENTHAL. Her post noted me among some of my own favorite reads and writer's books of 2012, such as Eileen Myles, Kathleen Fraser and Giles Goodland. To check out the post, go to: http://disinhibitor.blogspot.fr/2013/02/2012-disinhibitions-sarah-rosenthal.html

And, while awaiting a more detailed blogging moment--here are some little pics from last week's trek to METZ and the Centre Pompidou there for the great LINES show. Was there with Corrupt Press founder and editor Dylan Harris and his better half. We have culled through final changes in my book CIRCUITS and so you can start to save a few pennies if you would like to get a copy--out from CORRUPT PRESS by the end of the month at the latest! I am certain I will post about that and forthcoming book launch reading events.

On the train from Mulhouse to Metz--the blur of a snowy Sunday morning blurrrrs by

Dylan Harris of Corrupt Press walks towards the Metz Pompidou Center

The deco ceiling in the glassed space leaves us in a vertiginous mood

One expo featured photos and words on walls, but each visitor got a little hand flashlight to see the work. This photo by Dylan Harris is a great look back across the room at the spotty lights of other museum visitors

The Sol Lewitt designed walls... another great space to have been inside of!

Still thinking about the LINES exhibition--here thoughts of Kandinsky as land artist...am I wrong? That is ok, I am off to the train anyway!

Sunday, January 13, 2013

The Institut d'anglais at UHA, Mulhouse and The Book Corner invite you to hear NYC authors Jane Augustine and Michael Heller the 17th and 18th of January 2013!



There are TWO opportunities to MEET and HEAR
2 fabulous NEW YORK AUTHORS in MULHOUSE, FRANCE this week!:

FIRST:

MICHAEL HELLER
and
JANE AUGUSTINE

will read from their new poetry collections and sign books 
the 17th of January at 18h30 at
THE BOOK CORNER,
22 rue Sainte Claire
68100  Mulhouse
Tram: Porte Haute
For m0re on the bookstore, see:

THEN

 Institut d’Anglais at UHA & FRIDAY NOON
Invites you to meet and hear

MICHAEL HELLER
and
JANE AUGUSTINE

On the 18th of January 2013
At NOON
Room 001, FLSH
UHA, Tram: Illberg

Come hear tales and poems of New York City and talk with these authors
about New York life or Objectivism, Modernism and Buddhism in American Literature.

Everyone is welcome—bring a sandwich and have lunch while visiting with these authors!

MICHAEL HELLER has published over twenty volumes of fiction, poetry, essays, & memoir.  His most recent books include Living Root: A Memoir, novellas & fiction: Marble Snows & The Study, poetry: This Constellation Is A Name: Collected Poems 1965-2010 (2012) & Conviction’s Net of Branches—an award-winning study of the Objectivist poets. Among his many collaborations with the composer Ellen Fishman Johnson are the libretto for the opera, Constellations of Waking, based on the life of the German-Jewish philosopher Walter Benjamin, & the multi-media work, This Art Burning, both of which premiered at the Philadelphia Fringe Festival.  For many years, he was on the faculty of New York University & has taught at The Naropa Institute, The New School, San Francisco State, Notre Dame & other universities.  He currently lives in New York City. Of Heller, The New York Times Book Review said: "...a questing intelligence, forever on the trail of the epistemological, the 'flimsy beatitudes of order". For more information see: www.michaelhellerpoetry.com
 
JANE AUGUSTINE is a poet, critic, fiction writer, visual/sound poetry artist, & scholar of women in modernism (ie: on H.D., Lorine Niedecker, & Mina Loy). Augustine has published seven books of poetry, most recently A Woman's Guide to Mountain Climbing. She is editor of The Mystery by H.D. (2009) & The Gift by H.D.: The Complete Text (1998) & has held the H.D. Fellowship in American Literature at Beinecke Library, Yale University. Her recent scholarly publications include essays in The Emergence of Buddhist American Literature (2009, eds. J. Whalen-Bridge & G.Storhoff), L’impersonnel en littérature (2009) & Buddhisms & Deconstructions: New Perspectives on Continental Philosophy (2006). Her short story, “Secretive,” first published in the feminist quarterly Aphra in 1973, has been twice anthologized & remains in use in women’s studies courses. Her word-art “concrete poetry”compositions appeared in Assembling series & Essaying Essays (2012, ed Richard Kostelanetz). She is professor emerita of English & Humanities, Pratt Institute, Brooklyn, & has taught at New York University, The New School & in the Summer Writing Program at Naropa. She lives in Manhattan in the winter & in the Sangre de Cristo mountains of Colorado in the summer.  

Wednesday, January 02, 2013

VERSAL Magazine 11 WANTS YOU!

Last chance to send your work to Versal 11!

Amsterdam's acclaimed literary & arts journal, Versal, is now reading for its 11th edition. Its editors are looking for excellent prose, poetry, art and the declassified "inbetween".

Guidelines and submissions here: http://www.versaljournal.org/guidelines. A $2 submission fee applies--BUT: Pre-order Versal 11 when you submit and we’ll waive the fee. FYI: that fee goes to paying authors and keeping Versal afloat.

For a close look at Versal's tastes, purchase the current no. 10 or a back issue: http://www.versaljournal.org/order. The review is GORGEOUS and packed with excellent prose, poetry and artwork.

The deadline for submissions to Versal 11 is January 15, 2013.

Also--feel free to LIKE us on FACEBOOK--where you can also see pictures of the Versal editors drawing, pasting and all around making CIRCLES in issue 10 (me included!)  https://www.facebook.com/versaljournal?ref=ts&fref=ts
Photo from Versal FB page
 Also--follow the VERSAL BLOG at  http://versaljournal.blogspot.fr/

Check out also the lovely VERSAL 10--the gold issue--video!  http://www.wordsinhere.com/versalten.html

Wednesday, December 19, 2012

IMMATERIAL ART at LA KUNSTHALLE in MULHOUSE, France--4 talks in spring 2013!

Photo by French poet Déborah Heissler
ART / PERFORMANCE is actually happening here in Mulhouse. Yes. All of the time, perhaps. Of course we are just a mini-hop to Basel here on the Easternmost coast of France. Basel is an art hub, land of the annual gigantic Art Basel foire in June, but here in Mulhouse there are also some really awesome people who are not only bringing art to the Mulhouse scene, but who are also trying to unpack the word "ART". Mulhouse is about to take "ART" out of its visual limitations and turn it upside down, bringing it into the realms of performance, dance, poetry--and also dialogue around all that art is (and perhaps isn't). Last year there were a series of 4 talks on art in the spring for the SUAC  of UHA and La Kunsthalle, and this year the project is returning--with 4 very very exciting speakers: BEATRICE JOSSE, MICHEL COLLET, MATHIEU COPELAND and PATRICK MARCOLINI. For all the info, and to sign up to attend the events being planned, here is the announcement sent out by La Kunsthalle and le SUAC of UHA--and thanks Isabelle Lefevre (who really is La Reine of the SUAC! At UHA she has been making art and literature happen in so many ways. For example, having supported projects I was involved in last spring (2012) like hosting readings with Viriginie Poitrasson at the BU on campus or supporting Lex-ICON with readers and artists!) and the Kunsthalle group--in particular Sandrine Wymann and Emilie Georges who have made the Ecrire l'art mini-residencies bringing poets to Mulhouse possible since fall of 2011. (FYI: The next ECRIRE L'ART will be in MARCH 2013--so check back here and on la Kunsthalle site for full info on that, too!) Here is the Kunsthalle and the SUAC's announcement for their spring series of talks on IMMATERIAL ART:

La Kunsthalle Mulhouse, le Service Universitaire de l’Action Culturelle de l’Université de Haute-Alsace  et la Haute école des arts du Rhin ont le plaisir de vous proposer :

Cours Publics 2013
L’art immatériel

Un cycle de 4 cours de 1h30
en février et mars
Ouvert à tous, sur inscription

Cours Publics est un cycle de cours proposé conjointement par le Service Universitaire de l’Action Culturelle de l’Université de Haute-Alsace, la Haute école des arts du Rhin et La Kunsthalle.
Autour d’une thématique, quatre intervenants présentent un courant artistique, un pan de l’histoire de l’art permettant de recontextualiser la création contemporaine.
Les cours, assurés par des personnalités universitaires ou du monde de l’art sont ouverts à tous, sur inscription.

CALENDRIER DES COURS dispensés au Grand Amphithéâtre de la Fonderie de 18h30 à 20h
Jeudi 14 février 2013
Les situationnistes : au-delà de l’art ? par Patrick Marcolini
Jeudi 7 mars 2013
L’art performance : débordements et immatériel par Michel Collet
Jeudi 14 mars 2013
Exposer l’immatériel par Mathieu Copeland
Jeudi 21 mars 2013
Des révélations autour d’une collection invisible ! par Béatrice Josse


Modalités d’inscription
Inscription uniquement par courrier auprès du Service Universitaire de l’Action Culturelle de l’Université de Haute-Alsace :
Maison de l’Etudiant – Campus Illberg
1, rue Werner 68100 Mulhouse
Tram: Université

Tarif plein : 25 euros / tarif réduit 10 euros pour l’ensemble des conférences
 
Bulletin téléchargeable et plus d'infos sur : www.kunsthallemulhouse.com

Pour tout renseignement concernant l’inscription s’adresser au Service Universitaire de l’Action Culturelle de l’Université de Haute-Alsace : 03 89 33 64 76 / isabelle.lefevre@uha.fr


La Kunsthalle Mulhouse, centre d’art contemporain
La Fonderie
16, rue de la Fonderie
(F) 68093 Mulhouse Cedex
www.kunsthallemulhouse.com

Monday, November 05, 2012

Transmissibility & Cultural Transfer: Dimensions of Translation in the Humanities


Soon available (PRE-ORDER now?)!  "TRANSMISIBILITY AND CULTURAL TRANSFER: DIMENSIONS OF TRANSLATION IN THE HUMANITIES" edited by Jennifer K Dick and Stephanie Schwerter at IBIDEM-Verlag, Hannover/Stuttgart (200 pages, Paperback. 2012; ISBN 978-3-8382-0402-4): http://www.ibidemverlag.de/Publisher-s-List/Social-Sciences/Transmissibility-and-Cultural-Transfer--Dimensions-of-Translation-in-the-Humanities.html


THE STORY OF OUR TWO FORTHCOMING BOOKS.... starting with this one!:
Stephanie Schwerter and I embarked upon the near-impossible a few years ago in May 2010 when we threw together a conference on translation in the social sciences with only a shoestring budget (see the blog from this event: http://traductiontransmissibilite.blogspot.fr/). We in fact were helped invaluably by funding from the EHESS & the MSH of Paris as well as unexpected last minute support thanks to the American Embassy in Paris' Culture and Education Office--which allowed both young and experienced American scholars come and speak at our event. It was a tornado of a conference, with double-barrel seances meaning we could--hélas--not catch everything at once. It was a conference full of bright ideas and dynamic speakers (again, see our blog for full details on all of those who were present, and to read abstracts of their talk) as well as a great sliver of authors and literary translators from Canada, Luxembourg, France, the USA, Lebanon and Argentina who not only spoke but also gave a post-conference reading for IVY Writers Paris: http://ivywritersparis.blogspot.fr/2010/05/transmissibility-lectures-le-12-mai.html for full details. 

Steph and I were like waterlogged cats afterwards, thrilled with our encounters with so many scholars from such a vast array of areas, enlightened, glowing with all they had spoken about an made us aware of. 

We soon began the long, slow climb towards publication--and I will announce in Spring the 2013 edition in French of a massive tome which has resulted from this conference, and which is forthcoming with the MSH of Paris. But what about the speakers and authors in English? We had in fact been contacted by a UK magazine requesting we supply them with selected works in English resulting from this conference for a special edition. So we got everyone to send in their exciting work and expected a series of articles to appear shortly thereafter in the UK. The magazine editor responded with great zest confirming that he had also adored the works presented and wished to publish them all... but time passed and no further word appeared. It came to that point where a query must be sent off, like a bottled message tossed out to see. And it was with distress that we learned that there had been one of those passing of the bars, changing of the guard, and the editor had headed off on some political self-exploration project in journalism far from the pile of exciting, glowing articles he had accepted. What to do? 

Stephanie--being German--suggested we revamp the project and revise how the works came together and make a real book on the topic. We went through a process of reading, selection, editing, organizing, including requesting specific developments and changes to the texts that had been sent off for the magazine, updating the research and adding dialogue between the reflections presented to us. In the end, Stephanie and I settled on a tightly selected set of essays making up a volume in two parts--a small selection of 4 specific case studies whose reflections far exceeded their particularities as cases (thus rendering them perfect for the edition) preceded by a first half of the book on theoretical and applied translation theories specific to the social sciences. We presented the project to Ibidem-Verlag in Germany and found that the collection interested them. Of course, the publication did not then POOF appear overnight--it has been a long haul of editing, corrections, alterations, revisions. Perfecting, we hope! And now... the book is on the threshold of the stage, about to enter. Yes, we are thrilled to announce that it should be out this winter!

The authors of the chapters of this book--Jean-René Ladmiral, Peter Caws to start off with (and see below for the full table of contents) address areas in the humanities such as philosophy and sociology; As the reader progresses through this book, the chapters speak to one another and the reflections therein extend into the political and linguistic ramifications of what these authors have to say about culture, language and thought--about our need to question the origin of many of the ideas we take for granted, these ideas we treat as if they've emerged in an English mind, with Anglophone cultural and national references--which is so far from the truth. Where to begin reconsidering the way we treat so many well-known translated books as if they are written in our native tongue? And why even do that? This book will certainly provide many ways of looking at the answers to these questions, and many many more.

To get a peek at what is inside, read our blurb on the IBIDEM-Verlag site at: http://www.ibidemverlag.de/Publisher-s-List/Social-Sciences/Transmissibility-and-Cultural-Transfer--Dimensions-of-Translation-in-the-Humanities.html Or just get a sense of the volume from the Table of Contents below:

Table of Contents  : 

Introduction: Jennifer K Dick & Stephanie Schwerter             

 

Part I. Theoretical Reflections on the Uniqueness of Translation in the Humanities


Jean-René Ladmiral: Sourcerers and Targeters

Peter Caws: How Many Languages how Many Translations?

Elad Lapidot: Translating Philosophy

Thibaut Rioufreyt: The Role of Actors in the International Circulation of Ideas

Nicolas Marcucci: The Quest for Obligation: “Translating” Classical Sociological Languages through Moral and Political Vocabulary

Salah Basalamah: Social Translations: Challenges in the Conflict of Representations

 

Part II: Case Studies


Angela Feeney: Jacques Ferron – Writer and Translator

Christophe Ippolito: Literary Translation: From Cultural Capital to Dialogism

Henry Leperlier: Translation and Distortion of Linguistic Identities in Sinophone Cinema: Diverging Images of the “Other”

Nadine Rentel: Translating Cultural Values in Marketing Communication?A Cross-cultural Pragmatic Analysis of French and German Magazine Advertising

(Book Cover image, Dr Fred Dee, MD, used courtesy of the University of Iowa Virtual Slidebox (Histology Atlas) at http://www.path.uiowa.edu/virtualslidebox/)

Wednesday, October 31, 2012

Reading in LONDON Nov 2nd--COME ONE, COME ALL!

I am very very excited to be getting away from the MULHOUSE cold and to check out LONDON's cold this bonfire day weekend--and to be READING with other DUSIE press and kollectiv poets at THE APPLE TREE CLERKENWELL

Here's the info on when, where and what: HOPE TO SEE YOU THERE!: 

Dusie Kollectiv & Friends: 
A Poetry Reading
Friday Nov. 2, 7.30
The Apple Tree, 45 Mount Pleasant
London WC1X 2AE.
Nearest Tube Chancery Lane or buses from Holborn and King’s Cross

On facebook: https://www.facebook.com/events/275272299257296/?ref=ts&fref=ts


Readers:
Jennifer K Dick
Giles Goodland
Linus Godwin-Slug reading for Harry Godwin
Jeff Hilson
Sarah Rosenthal
Carol Watts &
Tilla Brading!

BIOS:
Jennifer K Dick is the author of Fluorescence (2004) & Circuits (2012) as well as 3 chapbooks, including Tracery (Dusie Kollectiv 5, 2011) and Betwixt (Corrupt 2012). She lives in France where she teaches at UHA. She curates the Ivy Writers Paris bilingual reading series in Paris & co-organizes the Ecrire L'Art French reading mini-residency in Mulhouse. She is a poetry editor for VERSAL magazine out of Amsterdam & a regular book reviewer for Drunken Boat (USA) and Tears in the Fence (UK). Her blog ishttp://jenniferkdick.blogspot.com/

Harry Godwin has had 2 children since leaving London. His press, Arthur Shilling, is on a hiatus & he's not produced much work either. Coincidence?

Linus Godwin-Slug was born on 16th September. He keeps chickens, grows beards, rears slugs, lives in Devon, lives in London, travels to Northumberland, home of the Angles. Since being separated from his moustache, his feet haven't left Devon, except for a disastrous foray into Cornwall, where his sideburns were nearly ripped off. His moustache now roams the land, seeking opportunities and upper-lips to read poems.

Giles Goodland was part of two Dusie Kollektivs. One of them, 'from Gloss' later turned into Gloss, from the Knives Forks and Spoons press. His most recent book is The Dumb Messengers from Salt.

Jeff Hilson's recent publications include stretchers (Reality Street, 2006), ed. The Reality Street Book of Sonnets (Reality Street, 2008), Bird bird (Landfill, 2009) and In The Assarts (Veer, 2010) and he is currently working on a sequence called Organ Music. He teaches Creative Writing at Roehampton University, London and runs the reading series Xing the Line.

Sarah Rosenthal is the author of Manhatten (Spuyten Duyvil), The Animal (Dusie), sitings (a+bend), not-chicago (Melodeon), and How I Wrote This Story (Margin to Margin). Her book of interviews, A Community Writing Itself: Conversations with Vanguard Writers of the Bay Area, was published by Dalkey Archive in 2010. She serves on the poetry jury for the California Book Awards, teaches in the University of San Francisco’s MFA program, and writes curricula for Developmental Studies Center in Oakland, California.

Carol Watts lives in London. Her recent dusie chap is Good Life Redact #1. Her books include Occasionals and Sundog, and the chapbook Mother Blake.

Tilla Brading, poet, performer and textual artist, teaches creative writing as well as working most of her life with students with a variety of Learning Difficulties. Brought up in Ystradfellte, Powys she was joint editor of PQR (Poetry Quarterly Review) and assistant Custodian of Coleridge Cottage, where the poet lived, in Nether Stowey, Somerset. Her poetry has appeared widely in a variety of magazines and on-line i.e. Shearsman, Oasis, Fire, Staple, Terrible Work, HOW 2, Great Works etc.. Her most recent publications are :Stone Settings (with Frances Presley). Odyssey Books & Other Press, 2010 & Grid. Dusie Kollektiv, 2012

For more about Dusie Kollectiv, please visit http://en.wikipedia.org/wiki/Dusie 
or see the most recent DUSIE Kollectiv & read the chaps online at: http://www.dusie.org/issue12.html

Tuesday, October 16, 2012

RoToR: recueil de 5 premiers numéros--FREE online!

Virginie Poitrasson poem in RoToR 5
 It was a great honor to be given "carte blanche" by RoToR to select artists and authors for one of their fabulous mini reviews online. It is a sort of turning--where each poet sees only the poem of the previous poet, and the artist sees only the first poem. The works are like a game of telephone, and in the case of the 5 first issues of RoToR there is a wonderful sense of discovery and SPIN taking place. SO, for those of you interested--the issues are online and FREE in a downloadable Pdf. See all 5 issues together via the weblink: 


I selected work for issue 5 (pp31-41) but found it thrilling to see how this issues and the ones preceding it also dialogue in a communal Pdf format. If you dislike reading onscreen--that first link gives you a great print-option, so print out RoToR and read it on the page! ENJOY and THANKS to ANNE KAWALA for all her work and inventiveness founding this journal and her kindness for inviting me to partake in the experiment. 

Fred Forte poem for RoToR n° 5

Monday, August 06, 2012

New poems online at The Drunken Boat and in print this August in Clock magazine issue 3!

I have felt really lucky this year with a few sollicitations to submit work for consideration to magazines. One in particular sent along a theme poem sample by Jacques Roubaud and I took that as an invite to try playing around with a response. 

So, it is with great pleasure that I announce the appearance of a small series of 6 new prose poems from the ongoing collaboration with Amanda Deutch (my part has thus far been intitled BETWIXT) as well as the poem I wrote in response to Jacques Roubaud's On the Plurality of Worlds of Lewis 

These 7 poems are now online at THE DRUNKEN BOAT! AT: http://www.thedrunkenboat.com/JenniferK.Dick.html To see contributor bios of all the very very exciting authors in this issue and then read their great works, too, see: http://www.thedrunkenboat.com/poetpge23.html  or go to the root page for this Summer's The Drunken Boat issue at: http://www.thedrunkenboat.com/


I am also thrilled to announce the print publication in CLOCK Magazine issue 3 of my poems Another Early Obsession and CODA (the closing poem from my forthcoming book CIRCUITS soon out from Corrupt Press). http://www.oclockpress.com/index.php?/project/clock-magazine/ to keep your eyes peeled for the moment when you can order a copy! Or to order back issues! Clock 3 will feature work by 
Cecilia Corrigan
Jennifer K Dick
Laura Elrick
Bethany Ides
Josef Kaplan
Trisha Low
Daniel Owen
Mario Santiago Papasquiaro
Judah Rubin
Jacqueline Waters
Lynn Xu
and
Jenny Zhang
Clock Magazine is run by the editors of O'Clock book publishers--pick up one of their books via their site here: http://www.oclockpress.com/index.php?/project/chapbooks/

And for anyone that has missed other recent publications online by me--I have work in FRINGE and in Big Bridge. Check out my earlier blog posts for info on those! Thank you so so much for reading! And much love to all from here in gorgeous GREECE! Land of poetry, certainly!