This week the amazing Poets & Critics will be hosting a 2 day event on and with the author Bhanu Kapil at Université Paris Cité, Bâtiment Olympe de Gouges, 8 rue Albert Einstein, 75013 Paris 9:45 am-5 pm, room OdG 830 (8th floor of the Olympe de Gouges Building).
I have long admired Kapil's work, both as a poet and a critic. I am very much looking forward to getting to converse with her and other scholars about her work, and to attend the READING organized at Michael Woolworth's wonderful atelier space tomorrow night organized by Double Change with Bhanu Kapil, Nadid Belaatik & Catherine Weinzaepflen: ((info on that HERE)
If you would like to read some of the initial critical work I have written on Kapil, please visit my Academia.edu space: https://uha.academia.edu/JenniferKDick Under the section "Papers/Chapters in English" you can download the PDF chapter from the Colors and Cultures book, which is also available for sale on Amazon. “The Dissenting Red Self: Lyn Hejinian's Tribunal, Anne
Carson's Autobiography of Red & Bhanu Kapil's Incubation: A Space for
Monsters” by Jennifer K Dick in Couleurs et Cultures /
Colors and Cultures: Interdisciplinary Explorations eds Sami Ludwig, Astrid
Starck-Adler & André Karliczek. 2022. ISBN: 978-3-00-073026-9. (364 p), pp.
143-152.
And if you remain interested in what I am thinking and writing about Kapil, I will have a chapter which is on her and Eleni Sikelianos in this forthcoming book:
Forthcoming
in early 2025 : Dick, Jennifer K “The
Nonsingular Self: A study of Bhanu Kapil and Eleni Sikelianos’ Poetic
Autobiographical Writing” in Vulnerability
and radicality in contemporary British and American autobiographies, eds Nelly Monk & Aude Haffen. Presses Universitaires
de Bordeaux. (slotted for first quarter of 2025 publication)
I will also be hosting a one day journée d'étude on and in the presence of Bhanu Kapil on February 14, 2025 in Mulhouse, France. Here is the DRAFT of the CFP. The final version will begin to be posted online over the coming weekend, following the events here in Paris and potentially with additions or alterations to it based on the dialogues which take place in the coming days. Join me in Mulhouse for more on Kapil!
Draft of the CFP: Journée d’étude “The
Somatics of Bhanu Kapil’s Emigrant/Immigrant Line.” February 14, 2025,
Université de Haute Alsace-Campus Illberg, Mulhouse, France. Organized with the support of the ILLE labo de Recherche and the English Dept of the Université de Haute Alsace.
“It is arrival in reverse to approach an ocean. Are
you an immigrant? Don’t panic, immigrant. There are places to curl up in under
a cliff, in a cave, and in the morning you will be covered with starfish
opening and closing all over your body. Encrusted, riveted, bright orange, what
will you do? What will you do with your new body? What will you make it do?”
–Kapil, Incubation (80)
The goal of this journée d’étude is
to, in the presence of the author, begin positing what a critical poetics of
Bhanu Kapil’s
writings with a focus on issues of migration might look like. This is, however,
to take migration as both physical and stylistic, including literary migration
between forms and formats of expression. For example, how Incubation: A
Space for Monsters could be read as a mode of re-visiting Donna Haraway’s A
Cyborg Manifesto or even rewriting it from the POV of the cyborg herself, why
filming then writing in the location of the “Bengali Wolf Girls” gave rise to Humanimal:
A Project for Future Children, or how, in Ban en Banlieue, a parallel
arises in her many notes/instructions and the moments of placing her body (à la
Ana Mendieta) in a space, tracing it, filling that trace with flowers,
examining the red flowers wilting and locating in that cycle of life/death “A
book of time, for time and because of it./A book for recovery from an illness.
A book that repeats a sentence until that sentence recuperates its power to
attract, or touch, other sentences./ A book as much poetry as it is a forbidden
or unfunded area of research.”
The body and the
written line have always been intimately, intrinsically linked in Kapil’s
works. Foregoing the declarative, the stable, the conclusive, Kapil’s writing
has always been a form of open-ended interrogation, including works that even
emerge from asking others, and herself, a series of questions over and over, as
in her first book Vertical Interrogation of Strangers. Kapil invites
readers to engage, to enter, to be part of her texts. In this day and age, many
authors explore hybrid genres and practices which expand into performance then
return to the book. Works which defy definition. What Kapil’s work does which
is unique to this exploration is to deny that any difference between on and off
the page, the written the read and the being written exist in any way as
separate from the body. The tactile materiality of the world itself and
language are one, as her citing of Alfonso Lingis’ Abuses opens Humanimal:
“They open up a body that is a lesion in the tissue of words and discourses and
the network of powers”. As Kapil explains quite directly in an interview: “I want a form that […] lets the sentence be the place
where the dirt, or fractal matter, of the diasporic body: might adhere.”
This conference will
thus deliberately focus on a broad reading of the issues, stylistic aspects and
echoes both on and off of the page of Bhanu Kapil’s writing and performance
work as it relates specifically to the somatics of her immigrant/emigrant line.
It invites new understandings to probe the more analytic end of Kapil’s
intertextuality and mobility, including the way it exists in a dialogic space
with works across a variety of genres, artistic mediums and themes. We invite
contributions on a range of topics, including, but not limited to:
- Questions regarding
borders/citizenship and nomadism;
--Tandem issues with
the above focusing on emigration/immigration;
- Talks which take a
specific look at “the experiences of diaspora communities in India, England or
America”;
- Issues regarding
movement / migration and hitchhiking;
- The body: celebrating and healing it, or its rejection, treatment
as “disposable”, in pain;
-The enigmatic in
Kapil: and its relationship to understanding, knowledge or inquiry;
- Kapil’s work as a
form of trauma writing (or post-trauma writing);
- Questions of self-knowledge
and definition (or self-annihilation) in Kapil’s writing;
- The topic of
mind-body (care, health, attention, definition, etc.);
- Scars of language and body alongside notions of narratives
as potential modes for healing (both as read and written);
- Feminist issues in
Kapil;
- Kapil’s relationship to the
(inside-out) Feminist Cyborg theories of Donna Haraway and (outside-in)
cognitive science-based cyborg theories of Andy Clark.
- Kapil’s works as fictional
(auto)biography;
- Questions of
otherness and monstrosity and/or Cyborgs in Kapil;
- the response to
folklore in Kapil’s work;
- Reflections on Kapil’s
reinventions of genre, or even a perceived progression in her work;
- The interrogation
of other (and self) in Kapil’s works;
- How the political
and the artist coincide;
- Kapil’s works as
forms of metamorphosis;
- Topics of memory
and temporality in Kapil;
- Intermedial
methodologies in her oeuvre (on and off the page);
-
Racism and violence in Kapil’s writing;
-
Hospitality and community vs assimilation;
-
Writing as a mode of healing;
-
The use and significance of specific colors in Kapil’s works;
-Writing
as a mode of becoming;
-
Kapil’s books as radical forms of travelogue.
Proposals (ca. 300-500 words) for 30-minute
papers and a biographical note should be sent to jennifer-kay.dick[at]uha.fr by 10 December 2024. We welcome
experimental or creative-critical approaches to papers. The committee will
communicate their decisions by 16 December 2024. Contributions will be
considered for inclusion in a peer-reviewed volume or special issue of a
journal.
Organization and contact: Jennifer
K Dick (Université de Haute Alsace, Mulhouse)
Coordinating Committee:
Bastien
Goursaud (Université de Picardie Jules Verne)
Silya Bennamar
(Université de Haute Alsace, Mulhouse)
