Academic Works

See also: http://uha.academia.edu/JenniferKDick
Or (en français) Ille CV: http://www.ille.uha.fr/Membres/cv_kay-dick


Jennifer K Dick is Maître de Conférences and teaches American Literature, Creative Writing and Civilization at the Université de Haute Alsace, Mulhouse where she is a member of the Ille research lab. She completed her DEA with Director Stéphane Michaud then her PhD with Director Jean Bessière at the Université de Paris III—la Sorbonne Nouvelle in Comparative Literature. Her DEA focused on the visual use of the page in Maurice Roche, Lisa Jarnot, Susan Howe and Claude Royet-Journaud’s works. Her doctorate focused on post-Mallarmean and Appolinairean influences on contemporary authors. This PhD study is divided into two parts, the first is devoted to an exploration of the many definitions and versions of the fragment as seen in the poetry of Myung Mi Kim, Susan Howe and Anne-Marie Albiach. The second half focuses on the progressive uses of the visual page (collage, imported images, typography, etc) in conjunction with the sound and narrative of poetry in the writing of Susan Howe, Myung Mi Kim and Anne-Marie Albiach as well as that of many other European and North American authors. 
Following her doctoral studies, Jennifer K Dick’s academic research has continued to explore the overlapping fields of poetry and visual poetics. She is fascinated by the liminal spaces between language use in the visual arts and typography and imported visual work implanted on the page in contemporary American and European Literature. Publications on this topic have appeared in the online publication Trans (published by the university of Paris III) and in the volume L’Ecriture Emprisonnée (Harmattan, 2007). She spoke and expanded on the work which appeared online in Trans at the "La poésie hors du livre" conference in Paris in October 2013. In June 2012 she co-organized the international conference Lex-ICON : treating text as image and image as text (see http://lex-icon21.blogspot.fr/) for more.

Jennifer K Dick is also the co-editor and co-author of the introduction with Stephanie Schwerter of Transmissibility and Cultural Transfer: Dimensions of Translation in the Humanities (Ibidem Verlag, Stuttgart, 2012) and Traduire: transmettre ou trahir? Réflexions sur la traduction en sciences humaines (Dec 2013) available from the Éditions de la Maison des sciences de l'homme, Paris. Read a review by Claire Placial in the magazine Lectures at: http://lectures.revues.org/13613
 In fall 2017, a project on intersemiotic translation is planned for UHA Mulhouse--allowing Jennifer to bring together her focus on visual work and that of textual translation. Both of these areas also feed into her recent interest in multilingualism in American poetry and poeticsA first work on this topic, the chapter Craig Santos Perez and Myung Mi Kim Voicing the Integral Divide: Reshaping American History through Multi-lingualism is forthcoming in the book Multiculturalism (ed. by Samuel Ludwig), winter/spring 2017.

Side/minor research interests:

Jennifer has also been writing and reflecting on POSTMODERN POETIC AUTOBIOGRAPHIES. The interest in autobiography and reality vs fiction stems as much from her own creative as from her critical work. A first talk on this topic was presented at the 2013 SAES conference in Dijon, France ("Self-Naming in Postmodern Poetic Autobiography") though the roots of this work are in her explorations of Susan Howe's writing (see the publication "Invisible Collisions: Considering Susan Howe’s Reform of the Poetic, Critical and Autobiographical Essay," online on Seventeen Seconds: A Journal of Poetry and Poetics, Ottawa, Canada, issue 7, June 2013, pp 7-24). Jennifer hopes to expand and develop her research and knowledge on this theme in the coming years--perhaps as a post-writing critical echo of her collection of science-memory poems Circuits.
     During 2012-2013 Jennifer engaged in some of the critical dialogues around CONCEPTUAL WRITING as a debatable aesthetic, reviewing Kenneth Goldsmith and Craig Dworkin's Against Expression (see "The Pros and Cons of Against Expression: An Anthology of Conceptual Writing" on Drunken Boat, issue 15) as well as by writing a reflection on the topic of avant-garde conceptualisms today for Tears in the Fence issue 56. This work has been part of her turn towards addressing how language gets borrowed from other areas of social experience and used in poetry. Expanding from this and her previous studies on pop culture and poetry, Jennifer is currently at work on a book in French about advertising and writing--the technical, visual, and socio-economic overlaps between poetic and advertising practices.

            Outside of her academic work, Jennifer is a published author of poetry and prose and a translator of French poets.

Jennifer K Dick's ACADEMIC BOOK COVERS 
and the COVERS of BOOKS with chapters by Jennifer K Dick in them:

 Jennifer K Dick's chapter « La revue de Pierre Albert-Birot. SIC prend l’extrême pointe de l’avant-garde pendant la Première Guerre mondiale » in Poétiques scientifiques dans les revues européennes de la modernité (1900-1940), sous la direction de Noëlle Cuny et Tania Collani, ISBN 978-2-8124-0866-3 (livre broché) ; ISBN 978-2-8124-1097-0 (livre relié) © 2013. Classiques Garnier, Paris, (461p.), pp. 287-303.LANGUAGE: FRENCH

Co-edited by Jennifer K Dick and Stephanie Schwerter, with their introduction: Transmissibility and Cultural Transfer: Dimensions of Translation in the Humanities, editions Ibidem Verlag, Stuttgart, 2012. 185pp LANGUAGE: ENGLISH

Published under the direction of Judit Maar and Jean Bessière, Jennifer K. Dick's chapter,  « Myung Mi Kim et l’emprisonnement du poète dans une langue étrangère. » is in Écriture emprisonnée, L’Harmattan, Paris (Cahiers de la nouvelle Europe n°7), juin 2007, pp.15-26. LANGUAGE: FRENCH


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