Friday, September 12, 2025

Art-Text by Jennifer K Dick now showing in Australia

 I am thrilled, and humbled, by the invitation to partake in this group art show "WHEN YOU CALL MY NAME" curated by Mayu Kanamori (click HERE for her participant's page, then on names to see her works) which opened on 11 Sept 2025 and will be going until 22 Sept 2025 in Canbera, Australia at: Australian National University: Coombs Building Coombs Tea Room Foyer, 9 Fellows Rd Acton, ACT. Here is the image of the window I made a text-paint collage across for Tomashi Inouye:




I was supplied with a name, and some background information, then went out and did more research and reflected on the position of someone in my time, and from my background, trying to address a hidden/lost history of the person I was asked to dedicate a work to: Tomashi Inouye. As I wrote in my artist statement, available at the show's website and in the catalogue: 

(online at: https://mayu.com.au/WhenYouCallMyName-arts/?internee=inouye-tomoshi)
 

As for the text, I have continued to revise it and sharpen it, but I have also thought through time of this person I do not, will not, ever know, and hope others will also think of him and the other names that Mayu selected to be part of this wonderful project. As she declared: 

"There is a saying that we die twice:

The first time being our physical death.  

The second being when our name is mentioned for the last time." --Maya Kanamori 
"When You Call My Name" exhibition statement

 

 

Thursday, September 11, 2025

Announcing Two New Critical Publications with chapters by Jennifer K Dick

It is with great pleasure that I get to announce the publication, containing chapters by me, of 2 collective critical books that have gone through an astoundingly rigorous re-editing process over the past 2 years (in both cases) and are both now in the world and available. For anyone working at a University, please consider asking your libraries to carry these.


The Borders Between and Within: Writing America with No Bounds, 
Nicoleta Alexoae-Zagni, Pin-chia Feng (Eds.) 
available at LitVerlag: https://lit-verlag.de/isbn/978-3-643-91576-4/ 

in which my chapter: Under Flag: Language and (Unattainable) Homogenization in the Era of Postnational Citizenship appears. I focus on the legacy of the work of Theresa Hak Kyung Cha as it dialogues with the practices and reflections in the works of Myung Mi Kim and Craig Santos Perez.

You can order copies directly from the press. Reviewers are definitely welcome to contact the press for copies and certainly Nicoleta and Pin-Chia would be happy, as would any of us in the volume, to participate in any interviews. 

 


The second book which is NOW OUT is  

Vulnérabilité et radicalité: Écritures de soi britanniques et américaines contemporaines
  edited by Nelly Monk et Aude Haffen. 
Les Presses Universitaires de Bordeaux, France. 

 https://www.pub-editions.fr/fr/empreintes-anglophones/5367-vulnerabilite-et-radicalite  

In which my chapter: “The Nonsingular Self: A study of Bhanu Kapil and Eleni Sikelianos’ Poetic Autobiographical Writing” (pp97-116) appears.  This chapter explores indirect notions of autobiographical and poetic documentary writing, from the positions of fluid selves, avatars and alter egos, to selves that overlap others' histories and linguistic practice. These poets do not practice an "I" focused writing of the self but overlap with that multiplicity which makes up all of us, which I try to study also in terms of what that means to socio-political structures. Although I cite from numerous works in both cases, I primarily focus on Kapil's Incubation and on Sikelianos' The Book of Jon, citing other poet-critics' works, such as those of Lyn Hejinian, Laynie Browne, Lisa Samuels, Lisa Robertson and Susan Howe, or theorists such as Donna Haraway, Tiziana Terranoa and Michel de Pracontal. 

It is always such an amazing pleasure to see critical work appear in volumes that have been curated so carefully and intensely edited. My work and reflections were bettered, and deepened, thanks to Nelly Monk, Aude Haffen, Pin-Chia Feng and Nicoleta Alexoae-Zagni's intense readings, comments and queries, as well as the feedback and the demands made on me by the anonymous scientific panel readers of this work. 

I am grateful to get to be part of such wonderful books, and hope that you will consider reading, teaching and writing back to us about your experiences with these books! 

 

Wednesday, June 11, 2025

The Eights--Launch, Celebration, Reading on 14 June in PARIS at 8pm

 

Image from Fab Funky, available as print online
Every year going back quite a few now, it has been essential to my friends and I to remember the PLAY in art, and to let go of the ego and the eye and make poems together. This project was inspired by The 3:15 Experiment published by The Owl Press in 2001 which collected together writing by Bernadette Mayer, Danika Dinsmore, Lee Anne Brown and Jen Hofer. When my friends--Lisa Pasold, Barbara Beck, Michelle Noteboom and I--read that book, we decided to add a twist to the idea of knowing we were all writing at the same time: we wrote at the same time (our first time at midnight) for 10 days, but then we gave these writings to each other (we call these our "pre-writes"). From these pages of prewrites, we make--what we call "orchestrate"--poems. Most often, we have each supplied 4 poems of some sort to the collections which we then have self designed into chapbooks and then thrown public parties from friends who gather, share food and drink, and listen to a little reading linked to the time of the original writing--that first being, Midnight! I still remember the candelabra at Lisa Pasold's house and our lovely friends who came out to share with us the pretty first object we had made together. 

Now we have moved well around the clock. And this year it was the turn of the 8. Most of us wrote 8, or oddly 7 or 9 (poets can't count, or refuse to, rather!) We have been ordering and laying out our chapbook and Friday night we will be at Lisa's place putting the final touches into this year's cover. We have, in the past, stencilled, sewn, patched, staple-bound, wrapped and strung in a variety of ways our A5 sized "DoItYourself" editions; This year, we have added a twist and the binding will come from a new direction. Should be fun. Hope you can join us. We do host our events at a private house, and ask anyone who attends to treat this like a neighborhood potluck--bring some food to share, or / and drinks. In recent years we have also associated a cocktail creation with our reading events. To save us from over imbibing, we did NOT choose to make a cocktail containing 8 ingredients! The base this spring will be whiskey and the rest is for you to sample this delectable concoction sur place Saturday. 

Cost of our chaps? We sell them at cost. All the labor and the time are our gift to you--and each other! 

And, because the 8s allowed me to go look at a LOT of great octopus images, here is another invite image for you: 

Photos thanks to FabFunky: get that blue and white octopus print at https://www.fabfunky.com/products/octopus-8-blue-nautical-print-coastal-art?variant=48004608524608 The second image is on Pintrest
 

Tuesday, May 20, 2025

Upcoming curation & chairing with Jennifer K Dick May 2025

Hoping to catch up with everyone in the coming weeks and month as I support other artists and writers, as well as academics and as they also support me. Here is where I will be at--hope to see you all!

I ) TUESDAY 20th May 2025 IVY WRITERS PARIS, which I had the great luck to co-found with Michelle Noteboom in 2004/2005 is having an evening of bilingual poetry with Margo Berdeshevsky and Vianney Lacombe. At Café de la Marie, 8 place Saint Supplice at 19h. 


 II) Wednesday 21st May 2025 AUTOUR(S) : Soirée de lectures-Performances par des jeunes créateurs dans le cadre de la Biennale des Commencements 2025 à Mulhouse.
Direction artistique : Jennifer K. Dick (poète / UHA) et Jérôme Game (poète / HEAR)

      Deux poètes-enseignant.es accompagnent six jeunes écrivain.es sélectionné.es dans latelier de création littéraire de Jérôme Game à la HEAR dans la présentation publique de leurs textes lors dune soie de lectures tout autour des arbres magnifiques du parc historique de la ville de Mulhouse : le parc Steinbach, dans les jardins du Musée des Beaux-Arts.
          Réunissant des publics variés en un lieu emblématique du lien que la ville entretient avec la nature, « Autour(s) » souhaite faire entendre une polyphonie de voix poétiques tissant des enjeux partagés : de lexpérience des corps à celle de l’identité, de lépreuve du présent à la promesse dun avenir en commun.


Les lectures pourront être suivies dun temps déchange avec le public.


https://www.hear.fr/agenda/autours/
— Mercredi 21 mai 2025, à partir de 17h
Musée des Beaux-Arts,
4 Place Guillaume Tell, Mulhouse
Entrée libre

III)  I will be chairing the Ghosts and Religion Panel 2 at the International Conference: GHOSTS, 22-23 May 2025, co-organized by Sami Ludwig and Regine Battiston with the ILLE Labo de Recherche in the FLSH building, salle Ganjavi at UHA-Campus Illberg, 10 rue des frères lumières, Mulhouse.
The conference goes from 13h-evening of the 22nd and then 9-19h on the 23rd of May. Here is full information: https://www.ille.uha.fr/international-conference-ghosts-22-23-may-2025/


And the information on my panel:
16h30  session2: Ghosts in Religion and Mythology
Chair: Jennifer K. Dick, UHA Mulhouse
     
Myriam Ackermann-Sommer, Sorbonne, Paris
kaylasommer@gmail.com
Ghost Stories form the Talmud: Exploring and Redefining Liminality
     Tahmineh Hosseinzadehkhabir, UHA Mulhouse
tahmineh.hosseinzadehkhabir@uha.fr
Div in Persian Mythology: the ghost of an enemy?
     Zainabu Jallo, University of Basel
zainabu.jallo@unibas.ch
The Égun Sect and Apparitions of Ilha de Itaparica, Bahia